Parliament Elections 2009 #3

Continuing on the theme of elections.

Another classic video from Kalam El Nass and made more so memorable by our lovely and ever so eloquent Lebanese politicians.

Khitab (speech) Market

It starts off with the whole Fares Boueiz and Nimatallah Abi Nasr debacle. Both running for the Maronite seat in Kisrwan. As you might remember, Aoun may or may not have promised Boueiz to be included on his list in Kisrwan, but may or may not have reneged on that promise. This prompted Boueiz to say that he was glad not to have entered the "cage of chicks" in Kisrwan, referring to Aoun's candidates. This in turn prompted a back and forth debacle between Abi Nasr and Boueiz, each accusing the other of being a different kind of bird, chicks and peacocks and so forth.

It's nice to see that people are running on useful platforms.

Then Michel El Murr calls Aoun's people "jlabbit" mostly translating as "little ones" but in a derogatory manner.

Ah, the joys of the Arabic language.

Off to the other Michel, calling his opponents "bsaynet", which technically translates into "cats" but probably meant "pussies".

Then back to the first Micho, with an online, on-air, live Kiss Okhta, no translation needed, nuff said there!

And then Geagea ever so eloquently as well compares his opponents to frogs that are inflating themselves (pompous type of inflating) and that they will soon explode!

BOOM BOOM, we all know how much we all love explosions!

Back to Micho, threatening to cut people's tongues and hands off, if they disagreed with him that is. I mean, non non non, he would not just do it for fun. C'est sauvage comme ca. La2 la2 la2, only when they disagree with him. Oh, and he finishes it all off by saying that he will just step on the small ones and smash them like ants. Only if they disagreed with him as well.
Il est gentil ce type. 3adatan byil3ab mnee7 ma3 el 2akhareen, bass ma t2arbo sawbo.

Nice to see that every candidate in Lebanon has a platform they are running on and that they actually use their time in effectively promoting these programs.

You have to admit though that their use of the Arabic language is impeccable and their theatrical performances are classic. Not to mention similes, oxymorons, paradoxes, and so on and so forth.

BG